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New to Streaming: ‘Interstellar,’ ‘A Girl Walks Home Alone at Night,’ ‘Spring,’ ‘Wild,’ and More

Written by on March 20, 2015 

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With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.

The Disappearance of Eleanor Rigby (Ned Benson)

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While The Weinstein Company botched the three-pronged release of The Disappearance of Eleanor Rigby earlier this fall, today brings a chance to see all available versions as they’ve hit Netflix Instant. Exploring the ups and downs of a marriage between a recently split couple (James McAvoy and Jessica Chastain), we found the Them version to be a respectable drama, but we’re looking forward to see what the Her and Him versions have in store. – Jordan R.

Where to Stream: Netflix

A Girl Walks Home Alone at Night (Ana Lily Amirpour)

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It might feature a skate-boarding, hijab-wearing bloodsucker, but A Girl Walks Home Alone at Night is much more than a hipster horror film. Set in a mythical landscape that feels like Quentin Tarantino and Tim Burton took a gig art-directing Iran, Girl establishes a raw and seductive edge that is also dreamy and wistful, enamored of Old Hollywood’s visual legacy, inspired by a rich independent heritage, and completely in love with its characters. Turning the tropes of Universal horror films on their head — one scene features a tawdry pimp discovering he’s the classic damsel in distress — Amirpour creates a wonderful character in Sheila Vand’s nosferatu. She’s not a monster, but a convergence of several cultural insecurities, wrapped in a feral, defiantly female shell. Crafted from the familiar, Girls’ best feature is just how fearsomely original and confident it feels. Eraserhead and Bride of Frankenstein have new, welcome company in the annals of filmdom. – Nathan B.

Where to Stream: Amazon, iTunes, Google

The Imitation Game (Morten Tyldum)

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Alan Turing’s life comes tailor-made to fit the prestigious period drama mold that’s long been a staple of the British film and TV industries. For the most part, The Imitation Game is content to stay within the tropes of its genre. While undoubtedly nakedly manipulative, there’s the sense that this has become the formula because it can function so well in the right hands. Even the most cynical will feel some joy at the sudden breakthrough discoveries, or even tear up as Turing is persecuted for his homosexuality. However, what limits the film to effective feel-good weepie, rather than the great work it could have been, is that it never challenges the audience’s conscience. – Martin J. (full review)

Where to Stream: Amazon, iTunes, Google

Interstellar (Christopher Nolan)

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Sure, the film has some flaws. I think Nolan‘s visual style suffers with the absence of his usual collaborator, Wally Pfister, though Hoyte van Hoytema still shoots a beautiful film. All the same, Interstellar swings for the fences, and while it might throw out its shoulder and stumble on a twisted ankle in the homestretch, I’ll be damned if the ball doesn’t fly high over the fences and the runner doesn’t get the run (to stretch a metaphor to its breaking point). Nolan finds an incredible emotional depth in his material, performers, and narrative, making this the first of his works to bring tears to my eyes. The score is a bombastic overture perfectly in line with the starscapes and planets on display, and the overflowing optimism about humanity’s ability to reach to new heights makes this a powerful, worthy cinematic experience. – Brian R.

Where to Stream: Amazon, iTunes, Google

Life Itself (Steve James)

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It’s only fitting that documentary filmmaker Steve James, of Hoop Dreams fame, was able to capture the iconic film critic Roger Ebert during the final months of his life. Ebert was one of the voices who championed Hoop Dreams and helped elevate it to a broader limelight, exposing it to audiences who very likely would have never heard of it — as he did with countless other films. It seems almost impossible for any film critic, filmmaker, or filmgoer not to have been in one way or another influenced by Ebert and his vocal opinions. Based loosely on his autobiography of the same name, Life Itself examines the man who was revered for his frank, direct, and articulate opinions on cinema. – Raffi A. (full review)

Where to Stream: Netflix

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