One of the most fascinating gems on the festival circuit last year was Cyril Schäublin's carefully observed drama Unrest. Set in a 19th-century watchmaking tow...
One of the highlights of New Directors/New Films this year is Manuela Martelli's Chile '76, which comes from Cannes Directors Fortnight and BFI London Film Fes...
As a slight shift from the scope and scale of Frances Ha and Mistress America, Greta Gerwig and Noah Baumbach's (writer-director and co-writer, respectively) l...
A BAFTA nominee, the winner of both Venice Film Festival’s People’s Choice Award as well as a quartet of British Independent Film Awards, Georgia Oakley’s dire...
Much of the world learned of the talent of Ryusuke Hamaguchi when Drive My Car miraculously and deservedly was nominated for multiple Oscars, including Best Pi...
Before Kristen Stewart and Robert Pattinson's romance for the ages––and before there was Paul Newman, Susan Sarandon, Gene Hackman, and Reese Witherspoon's 199...
Wes Anderson has kept busy the last few years. While putting the finishing touches on The French Dispatch as the pandemic hit––causing the film's delay for ove...
With a career resurgence thanks to First Reformed, Paul Schrader decided to form a trilogy (and perhaps beyond) of like-minded character studies. His third out...
There are very, very few filmmakers who've rethought and shaken possibilities for the moving image as much as Harvard's Sensory Ethnography Lab, whose résumé––...
Delivering one of the best monster movies of the past decade, Hideaki Anno's 2016 Shin Godzilla outpaced any of Hollywood's output with the creature as of late...
