Slowly but surely the earlier work of Claire Denis is getting restorations and re-releases, from Beau Travail to L'intrus to No Fear No Die. While we hope Frid...
This is the customary sentence noting it can be easy to take Hong Sangsoo for granted. The prolificacy of which should tell us he's as appreciated as ever, and...
While this year's Sundance Film Festival recently concluded, one of the most acclaimed films out of last year's edition will now be arriving in just under a mo...
Although hailing from Belgium, Fabrice du Welz's debut Calvaire has been considered a staple of New French Extremity, as coined by James Quandt around the turn...
It's of course common to overlook the Slamdance Film Festival, which boldly (nobly?) runs concurrent with a better-known, phonetically similar exhibition, but ...
Reaching a wider audience with 2020's The Killing of Two Lovers, writer-director Robert Machoian and star Clayne Crawford are back with their follow-up, The In...
Last fall saw the debut of one of the most vital documentaries on the opioid crisis with All the Beauty and the Bloodshed, and while Laura Poitras' film sought...
Kicking off this Thursday, the 2023 Sundance Film Festival gives us a first glimpse at the year in cinema. Ahead of the fest, we've highlighted the films we're...
Celebrating his 75th birthday this week, John Carpenter is content cashing checks for the many upcoming reboots and remakes of his classics, crafting music for...
Hou Hsiao-hsien may never make another movie, but if so few of the films populating his decades-long career have received anything like decent treatment it's g...
