Eight years since Zama and more than two since she shared details, Lucrecia Martel has returned with her first feature-length documentary, Landmarks (Nuestra T...
After landing on our radar with his remarkable, formally fascinating Atlantis, Ukrainian director Valentyn Vasyanovych has returned with To the Victory!, which...
Making its world premiere this Tuesday as part of the 50th Toronto International Film Festival's Discovery section, Karla Badillo's directorial debut Oca tells...
After a Cannes Film Festival premiere, it was rumored that Lynne Ramsay went back to the editing room to tighten up Die My Love, her first feature since 2017's...
In a collision of international talent that feels increasingly rare, Ildikó Enyedi has brought together Léa Seydoux and Tony Leung for Silent Friend, which “te...
If it feels like 28 Years Later just came out, that's because the film released on June 20 and today is September 3. But time waits for no man (especially when...
Fall-festival season invariably crowds-out some of its finer offerings. For all the sturm und drang surrounding a studio's middling and formulaic awards hopefu...
Few recent films scratch an itch like MEGADOC. Whatever the cinematic value of Mike Figgis' documentary––and accounting for cheap-looking title cards with obvi...
Six years since The Dead Don't Die (long enough for that film to now be underrated), Jim Jarmusch is back with Father Mother Sister Brother, which finds him re...
It's our pleasure to spotlight a true indie production today. Shot on a shoestring budget of around $5,000 during a 10-day road trip to Deadhorse, Alaska, Jaco...
