Safe to say few movies this year engender more excitement than Kiyoshi Kurosawa's Serpent's Path, a remake of his superb, bad-vibes 1998 thriller. Though an ex...
No secret that we love The Beast. But it's perhaps not even the best Bertrand Bonello film released in 2024. For more than two years I've been a major advocate...
Premiering at TIFF last fall, Flipside follows filmmaker Chris Wilcha as he reflects on his past and what it means to live a life of creativity. Picked up by O...
On quite a Hitchcockian-meets Twilight Zone streak with the one-two punch of Old and Knock and the Cabin, expectations are high for M. Night Shyamalan to deliv...
The only debut feature to premiere in competition at Cannes Film Festival last year, Ramata-Toulaye Sy's West African love story Banel & Adama is now set f...
There's a perfect world in which Richard Linklater's Hit Man, a through-and-through crowdpleaser suffused with wit and style, gets a theatrical release and is ...
Among our most-anticipated premieres at the 2024 Cannes Film Festival, now less than a month away, is Grand Tour, marking the return of Portuguese director Mig...
I was lucky to see the new restoration of July Rhapsody, an oft-forgotten 2002 drama that represents a murderer's row of Hong Kong cinema: directed by Ann Hui ...
A selection at Telluride and TIFF last year, Christy Hall's directorial debut Daddio follows Dakota Johnson's character who picks up a cab at the JFK airport o...
Ever since seeing his stellar performance in Philippe Lesage's Genesis, it's been great to see Théodore Pellerin expand his resume with films by Eliza Hittman ...
