In Amber Tamblyn’s impressive debut feature Paint It Black, a suicide sets up a tug of war between two unlikely interconnected foes: Josie (Alia Shawkat), a stu...
Long before Dominic Toretto and his crew became globe-trotting superheroes, they might have been the neighbors of the Alvarez family, known as “low-riders” who ...
Can a film about twenty-eight year olds be considered a coming-of-age story? I guess it can when the two men in question were teenage professional gamers becaus...
A dim-witted offering released in time for Mother’s Day, Snatched -- directed by Jonathan Levine from a script by Katie Dippold -- is a low-energy action comedy...
The 1960s were a hotbed of activism by necessity. You had civil rights battles for racial and gender equality, protests standing in opposition of new wars comin...
Side-stepping the more explicit aspects of war, the biopic Megan Leavey focuses on the story of a woman who finds a higher calling, though not of a religious va...
As directed by Doug Liman, The Wall works as a taut piece of modern American mythos, sprinkled with hefty helpings of genre and jingoism. Set in 2007 at the "en...
The dilemma of a film like Stanley Nelson’s sweeping and emotionally-charged new documentary Tell Them We Are Rising: The Story of Historically Black Colleges a...
Opening in a court room, For Ahkeem finds its protagonist Daje, an African American girl from the inner city of North St. Louis, sentenced to Judge Jimmy Edward...
Playfully divided into “Lots," Barry Avrich’s sweeping and enlightening Blurred Lines: Inside the Art World investigates the entire ecosystem that comprises the...