Over a decade since her remarkably observed and authentically acted The Savages, writer-director Tamara Jenkins makes her long-awaited return to Sundance and fe...
Sometimes funny, sometimes frustrating, always honest, Clara’s Ghost–written and directed by Bridey Elliott–is doing a lot on a limited budget. It stars the ent...
Welcome to the Jason Mantzoukas show. The Long Dumb Road, directed by Hannah Fidell, leans full-tilt into the anarchic charm of the long-time cult comedian to d...
War films generally come in two varieties: a gray introspective look at its emotional and psychological cost and black and white jingoistic propaganda. The form...
I have to imagine every parent at some point wonders where their life could have gone if they didn't have children. This doesn't make them bad people — only tho...
I'd like to know the regulations for automobile tires in Russia because Dmitrii Kalashnikov's dash-cam compilation documentary The Road Movie has too many viole...
The first trailer for Proud Mary hit the internet in July of 2017. After that came a few badass 70s-style James Bond-like posters with star Taraji P. Henson in ...
Saturday Church is the sort of debut indie feature that would be best played with the sound off. In some ways, this is more of a compliment to the film’s virtue...
Laurie Simmons may be new to feature filmmaking, but she is a veteran of the arts scene. A graduate of the Tyler School of Art at Temple University, she moved t...
We’re just a few weeks into 2018, but a very early candidate for Most Charming Film has arrived. Paddington 2 is a genuine delight, a sequel that improves upon ...
