The latest cinematic look at Pablo Escobar is titled Loving Pablo for a reason: it's based on Colombian journalist Virginia Vallejo's book Loving Pablo, Hating ...
I can think of no better way to kick off the Halloween season than with a celebration of frights and friendships — oh, and bloody murders. Razor sharp, with a c...
A modest meditation on memory and grief turns into loopy pseudo-mythical environmentalism in Naomi Kawase’s Vision, her fourth film in five years. Transplanting...
Distinct from musicals, music biopics, and documentaries, fiction films about the challenges faced by musicians in practicing their craft have been around since...
At a time when freedom of expression titters on the brink in Vladimir Putin’s Russia, there’s something thrillingly contemporary about Kirill Serebrennikov’s So...
It might be hyperbolic to call Smallfoot the most dangerous film of the year, but it wouldn't necessarily be wrong. Yes, there's a wholesome message at the back...
I can't think of a better term to describe Esther Rots' Retrospekt than her own: "sensory cinema." We get a feeling for what this means during the opening scene...
It's 19th century Vietnam and fourteen-year-old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a gen...
A film ten years in the making, anthropologist Sine Plambech and her director husband Janus Metz's open a door with Heartbound onto an intriguing humanist story...
Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina's Fe...
