Netflix’s dreary $200 million franchise hopeful The Gray Man deserves at least one compliment: it begins with relative finesse. Recruited out of prison as a ta...
What drops of cinema are still to be wrung from boxing? The new Japanese drama Small, Slow But Steady is about as calm and modest as its title suggests, but th...
Taking a more natural interpretation of D. W. Griffith’s phrase by way of Jean-Luc Godard—"All you need to make a movie is a girl and a gun”—Caroline Vignal’s ...
People died, businesses closed, and health and science became politicized to a point of no return. But what about the good that COVID accomplished? What about ...
Only two films have cemented Jordan Peele as a formative voice in contemporary horror, Oscar winner, and rein-puller for one of the biggest properties in scien...
When historical events are too complex and sprawling to do them justice in a 90-minute film, the best thing is to shrink the aperture. Rather than try cramming...
Set four years after events from The Outlaws (known as Crime City in Korea), new director Sang-yong Lee and screenwriter Min-Seong Kim bring Detective Ma Seok-...
While a viral video of a young boy playing cards with his dead father captured the nation so profoundly that suicides and murders have skyrocketed due to human...
There's risk dealing with a therapy group like that at the center of Berkley Brady's directorial debut Dark Nature: the narrative quite often needs to turn int...
It's review day and everyone is laughing about what raises and bonuses they're going to request this year. Nico (Alex Vizorek) jokes about asking for an SUV an...
