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    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

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    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

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    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

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Mark Ruffalo to Star in Bertrand Bonello’s Next Feature

Paul Thomas Anderson Selects Five Films to Watch Ahead of One Battle After Another as Tickets Go on Sale

NYC Weekend Watch: New Orleans, Shinji Sōmai, Charlie Chaplin & More

Vote in The B-Side’s 2025 Audience Choice Polls!

The Criterion Channel’s September Lineup Includes Robert Altman, Olivier Assayas, Satoshi Kon, and Jodie Foster

Paweł Pawlikowski Will Direct Sandra Hüller In Cold War Drama 1949

The Criterion Collection’s November Lineup Includes Eyes Wide Shut, Él, and Hell’s Angels on 4K

Amnesiascope Presents Carlos Reichenbach’s Rarely Screened Movie Dementia on August 27

NYFF63 Revivals Features Sholay Restored Director’s Cut, Satyajit Ray, Mamoru Oshii & More

NYFF63 Adds the Return of Daniel Day-Lewis, Martin Scorsese Doc, Two by Richard Linklater & More

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New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More

François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

Blue Film Trailer: Controversial Camboy Thriller Arrives This May

Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

15 Films to See in April

The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due

The Blue Trail Review: A Lively Journey Down the Amazon River

First Teaser for Ryûsuke Hamaguchi’s All of a Sudden Starring Virginie Efira and Tao Okamoto

Arnaud Desplechin Finds the Music in U.S. Trailer for Two Pianos

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