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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

  • Reviews

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    • The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

    • Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

    • Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

  • Features

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    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

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    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

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    • Frank Ocean Shares His Favorite Films, Including Tarkovsky, PTA, Kurosawa, Lynch, Kubrick & More

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    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

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    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

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News

NYFF61 Currents Features Jean-Luc Godard’s Final Work, The Human Surge 3, Inside the Yellow Cocoon Shell & More

Watch: Austin Butler Teams with Titane Director Julia Ducournau for Saint Laurent Ad

The Criterion Channel Announce September Lineup: Hal Hartley, High School Horror, Peggy Sue Got Married & More

NYFF61 Revivals Lineup Includes Restorations of Films by Manoel de Oliveira, Jean Renoir, Horace Ové & More

NYFF61 Adds New Works by Hayao Miyazaki, Nathan Fielder, Benny Safdie, Harmony Korine, David Cronenberg & More

The Criterion Collection’s November Lineup: Malick, Scorsese, and Bogdanovich on 4K, Jackie Chan, and Claude Chabrol

TIFF 2023 Adds Films by Jean-Luc Godard, Radu Jude, Pedro Costa, Eduardo Williams, Phạm Thiên & More

Terrence Malick is “Very Happy” with The Way of the Wind, But Don’t Expect It to Arrive Soon

TIFF 2023 Adds Films by Víctor Erice, Ryûsuke Hamaguchi, Nuri Bilge Ceylan & More

Paris Theater Reopening Next Month with Dolby Atmos System and 70mm Series

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Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

13 Films to See at 2026 New Directors/New Films

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

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