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    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

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    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

  • Reviews

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    • The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

    • Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

    • Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

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    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

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    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

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    • Frank Ocean Shares His Favorite Films, Including Tarkovsky, PTA, Kurosawa, Lynch, Kubrick & More

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    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

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    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

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News

Diane Kruger Shares Details on David Cronenberg’s “Most Personal Film” The Shrouds

MUBI’s October 2023 Lineup Features Passages, Tsai Ming-liang, Luchino Visconti & More

The Criterion Channel’s October Lineup Includes ’90s Horror, Techno Thrillers, James Gray & More

Martin Scorsese Speculates on Retirement: “A Couple More, One More Maybe, and That’s It, Okay?”

Joachim Trier and Renate Reinsve Plot Worst Person in the World Reunion Sentimental Value

The Criterion Collection’s December Lineup Includes Guillermo del Toro, The Red Balloon Box Set, and Blast of Silence

Film Fest Gent Are Now Streaming New Shorts from Terence Davies, Bi Gan, Jia Zhangke, and More

John Carpenter Returns to Director’s Chair with Trailer for New Series Suburban Screams

Martin Scorsese Hopes to Appear In New Jesus Film and Adapt Marilynne Robinson’s Home

Yorgos Lanthimos and Ryûsuke Hamaguchi Take Top Venice Film Festival Prizes

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Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

Bunnylovr Review: A Compelling, Messy Character Study in Social Isolation

The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

13 Films to See at 2026 New Directors/New Films

Faces of Death Review: Smartly Crafted Remake Investigates the “Sicko” in All of Us

The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

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