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    • The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

    • First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

    • Isabelle Huppert is The Blood Countess in Exclusive Poster for Ulrike Ottinger’s Berlinale Premiere

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    • Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

    • Two Prosecutors Trailer: Sergei Loznitsa Captures a Quest for Justice

    • Omaha Trailer: John Magaro Takes a Heartbreaking Road Trip

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    • Rotterdam Review: First Light is a Calm, Confident Debut

    • Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

    • My Father’s Shadow Review: A Lovely Tale of Familial Bonding That Plays Things Safe

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    • NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

    • New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

    • The Best Movies Now Playing in Theaters

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    • “We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

    • Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

    • Sam Rockwell on His Most Overlooked Films and Working with Gore Verbinski

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    • The B-Side Ep. 175 – Rachel McAdams

    • The Best Films of 2025 and Most-Anticipated Films of 2026

    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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    • The Best Movies Now Playing in Theaters

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    • “I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

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News

New York Review Books & Nick Newman Present a Rare Screening of Legitimate Violence at BAM on November 1

Details Emerge on Terence Davies’ Planned Noël Coward Biopic Firefly

Hal Hartley Launches Kickstarter for New Feature Where to Land

Watch: Martin Scorsese Reflects on His Filmography and the Future of Cinema in 1.5-Hour Conversation with Edgar Wright

Richard Linklater Plans to Make French-Language Film Set in Paris

Listen: Tindersticks’ Claire Denis Soundtracks Make Streaming Debut

Ridley Scott Says His Four-Hour Napoleon Director’s Cut Will Stream on Apple TV+

Stream John Carpenter’s New Album Anthology II (Movie Themes 1976-1988)

Cate Blanchett and Guy Maddin Team for Comedy Rumours, Shooting This Month

Diane Kruger Shares Details on David Cronenberg’s “Most Personal Film” The Shrouds

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Latest

“We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

Rotterdam Review: First Light is a Calm, Confident Debut

New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

The Best Movies Now Playing in Theaters

Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

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