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    • Atom Egoyan and Alison McAlpine Discuss the Oscar-Contending Perfectly a Strangeness

    • Brian De Palma Will Direct Sweet Vengeance This Summer

    • Exclusive Poster for Marco Bellocchio’s Six-Hour Portobello, Arriving on HBO Max in February

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    • Sirāt Trailer: Oliver Laxe’s Desert Rave Thriller Arrives in February

    • U.S. Trailer for Christian Petzold’s Miroirs No. 3 Brings Paula Beer Into Uncertain Territory

    • A Luchino Visconti Gem is Restored in Exclusive Trailer for Conversation Piece

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    • Dead Man’s Wire Review: Gus Van Sant Offers a Good Time at the Movies

    • The Chronology of Water Review: Kristen Stewart’s Elemental Calling Card for Directorial Greatness

    • All That’s Left of You Review: An Impactful Exploration of Decades of Palestinian Trauma

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    • Michael Frank’s Top 10 Films of 2025

    • NYC Weekend Watch: To Save and Project, The Secret Agent Network, Port of Shadows & More

    • New to Streaming: Peter Hujar’s Day, Zodiac Killer Project, and Predator: Badlands

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    • “Every Single Day Was a Nightmare”: Annemarie Jacir on the Past and Present of Palestine 36

    • Lav Diaz on Magellan: “Cinema Can Look Big Even with a Small Camera”

    • “I Cried a Lot”: Sentimental Value Cinematographer Kasper Tuxen on Connecting With Joachim Trier’s Cast

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    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

    • The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

    • The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

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Michel Gondry Sets Hollywood Return With Pharrell Williams-Inspired Feature Starring Da’Vine Joy Randolph & More

David Robert Mitchell Is Finally Released from Director’s Jail

MUBI’s April 2024 Lineup Features Andrew Haigh, S. Craig Zahler, Bong Joon Ho & More

Kiyoshi Kurosawa’s Serpent’s Path Remake Gets New Images and First Synopsis; Mathieu Amalric Confirmed to Star

Arnaud Desplechin Secures Léa Seydoux, Jason Schwartzman, John Turturro, and Golshifteh Farahani for The Thing That Hurts

David Chase to Direct First Film in Over a Decade

April on the Criterion Channel Includes Bertrand Bonello, Jean Eustache, William Friedkin & More

Peter Weir Confirms His Retirement From Directing: “I Have No More Energy”

Joe Dante Sets First Film in a Decade with Little Shop of Halloween Horrors, Produced by Roger Corman

The Criterion Collection’s June Lineup Includes Blue Velvet and the Wachowskis on 4K, The Underground Railroad & More

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Michael Frank’s Top 10 Films of 2025

“Every Single Day Was a Nightmare”: Annemarie Jacir on the Past and Present of Palestine 36

Atom Egoyan and Alison McAlpine Discuss the Oscar-Contending Perfectly a Strangeness

NYC Weekend Watch: To Save and Project, The Secret Agent Network, Port of Shadows & More

New to Streaming: Peter Hujar’s Day, Zodiac Killer Project, and Predator: Badlands

Caleb Hammond’s Top 10 Films of 2025

Brian De Palma Will Direct Sweet Vengeance This Summer

The Best Movies Now Playing in Theaters

Sirāt Trailer: Oliver Laxe’s Desert Rave Thriller Arrives in February

Lav Diaz on Magellan: “Cinema Can Look Big Even with a Small Camera”

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