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    • NYC Weekend Watch: Catch Me If You Can, The Lost Weekend, The Spirit of the Beehive & More

    • The Criterion Channel’s January Lineup Features Paul Thomas Anderson, Kleber Mendoça Filho, Terence Stamp & More

    • The Criterion Collection’s March 2026 Lineup Features Killers of the Flower Moon on 4K

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    • The Odyssey Trailer Teases Christopher Nolan’s Mythic Epic

    • Tom Cruise Wants to Save Humanity in First Teaser for Alejandro G. Iñárritu’s Digger

    • Pedro Almodóvar Returns to Spain in First Trailer for Bitter Christmas

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    • The Plague Review: Bullying Drama of Paranoia Requries Suspension of Disbelief

    • No Other Choice Review: Park Chan-wook’s Rage-Filled and Blood-Drenched Thriller

    • The Testament of Ann Lee Review: Amanda Seyfried Gives Her Finest Performance Yet

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    • NYC Weekend Watch: Panahi & Kiarostami, Elephant, Sorcerer & More

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    • Jack Fisk on Creating an Authentic 1950s New York for Marty Supreme and Josh Safdie’s Drive

    • Mona Fastvold on The Testament of Ann Lee, Refusing to Compromise, and Cinematic Traditions

    • “Maybe Sometimes Something Works”: Nathan Silver on Carol & Joy

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    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

    • The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

    • The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

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News

Claire Denis’ The Cry of the Guards Finds New Lead with Mia McKenna-Bruce; Production Begins This Month

Long-Rare Films from John Woo, Johnnie To, Tsui Hark & More Acquired By Shout! Studios

Listen to Bertrand Bonello’s Soundtrack for Planet B

Annie Baker, Lee Chang-dong, Danny Boyle & More Plot New Features

Radu Jude Reveals First Look at Next Two Features Dracula and Continental ’25

Exclusive: Marianne Jean-Baptiste is Unraveling in New Artwork for Mike Leigh’s Hard Truths

Exclusive: Cannes and ND/NF Selection Lost Country Acquired by Altered Innocence

The Way of the Wind is the “Most Important Film” to Terrence Malick

Everything Steven Soderbergh Watched and Read in 2024

John Hillcoat Reveals Cormac McCarthy’s “Faustian” Vision for Blood Meridian Film

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