Among the most inspired choices for a 4K restoration this year would have to be Alan Rudolph’s Breakfast of Champions. Despite coming out in the middle of Bruc...
An artist and writer as well as documentary filmmaker, Johan Grimonprez takes a multidisciplinary approach to his subjects, combining archival footage, intervi...
Each year the Busan International Film Festival screens movies at its outdoor stage. Among the titles this year was Kalki 2898 AD, a sci-fi box-office sensatio...
Canadian director Guy Maddin embraces absurdity. Along with his co-writers and directors Evan and Galen Johnson, Maddin has added to his surrealist oeuvre with...
Sean Baker has been making films for nearly 25 years. With Anora, his Palme d’Or winner following the journey of a stripper from Brooklyn, he’s ascended furthe...
Writer-director duo Scott McGehee and David Siegel have been working together for 30 years, since their debut thriller Suture in 1994. Since then, they’ve only...
Premiering at Sundance Film Festival earlier this year, It’s What’s Inside seemed to come a bit out of nowhere. Despite its prime positioning in the Midnight s...
Tarsem’s The Fall is an anomaly. Since met with polarizing critical reviews and a non-existent box office in 2007, the film has earned a reputation from its la...
Coralie Fargeat’s Revenge (2017) thrilled audiences with its never-ending finale chase sequence through hallways lubricated in Shining-level quantities of bloo...
The most overwhelmingly emotional viewing experience I had at the Toronto International Film Festival last year, Azazel Jacobs’ tender, beautifully-acted drama...
