In Both Sides of the Blade a romance breaks down and threatens to break up in a stylish apartment overlooking the sweet Parisian skyline. The director is of co...
Anyone seeking a peek into Ulrich Seidl's worldview--perhaps his soul--could do worse than Rimini, his first film since Safari in 2016 and first narrative feat...
In Being John Malkovich, an entire half-hour passes by before John Cusack’s hangdog puppeteer peaks behind his filing cabinet and finds a tunnel to another man...
In Brighton 4th, the Georgian diaspora of Brooklyn's Brighton Beach (an area known colloquially as “Little Odessa” for its largely East European and Russian co...
In the new documentary Factory to the Workers, the men and women of a doggedly socialist metal factory in northern Croatia struggle facing up to the realities ...
It’s August at the Karlovy Vary Film Festival and Radu Jude can’t get on the Wi-Fi. Six months on from his shock Golden Bear win for Bad Luck Banging or Loony ...
As the face (sometimes) and voice (always) of an amuse-bouche of TV shows, film criticism (in his column for Sight and Sound), and documentaries over the last ...
A rare and elusive sense of myth is captured in The Tale of King Crab, a story of a 19th-century vagabond who falls in love with the daughter of a local farmer...
It’s early morning in LA and Joanna Hogg is looking back. It is a process the filmmaker has grown accustomed to in recent years, not least with her latest film...
There are clenched fists aplenty in Unclenching the Fists. Stuck in a former mining town high in the mountains of North Ossetia, its characters are as weighed ...
Irish-born, Berlin-based, Rory O'Connor has been covering the European film festival circuit since 2012. A regular contributor to The Film Stage, his work has also appeared in Frieze, The Playlist, and CineVue.
