Up until now, our only looks at Lawless, the new film by John Hillcoat (director of The Road and The Proposition), were set photos. While these stills gave ...
Reality is a pretty easy thing to portray in a movie. We all have a pretty firm grip on the rules of the world, and the way that certain events will play out on...
There is a lot to love about Jeff, Who Lives At Home, the newest film by the writing/directing team of Mark and Jay Duplass. I could (and intend to) go on for p...
Silent House is the kind of movie that will likely divide views along a pretty solid line. However, whereas many films would divide people along the lines of "l...
Wally Pfister -- the Academy Award-winning cinematographer who has lensed every one of Christopher Nolan's films since Memento -- has just landed his first ...
With writing credits like Taxi Driver and directing credits like The Comfort of Strangers to his name, there seems no better person to make The Canyons, written...
The concept of a "rock doc" can turn off a lot of people. The perception is that anyone unfamiliar with the band or genre in question will be lost to the na...
Music is an intensely personal thing for many people. We listen to it, assign it meaning, and sometimes build entire moments or stages in our lives around it. M...
Gone does a few things well. For one, the movie is gorgeous to look at. The cinematography on display here by Michael Grady is top notch. Moss-grown forests hav...
It's a rare thing when a director can enter a foreign land or culture and create a film that feels so authentic that it feels as though it were directed by ...
