With exposure to Brazilian cinema being so pitiful, I thought it would be past due to host both an episode and screening that put a bit of spotlight on their r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
This week's edition of NYC Weekend Watch is sponsored by The Balconettes, opening today at ...
There is a distinct '70s sheen to the Criterion Channel's September lineup: a decades-spanning Robert Altman retrospective with everything from Nashville and T...
Has it become a bit clichéd and too-smart-for-your-own-good to say Eyes Wide Shut is a Christmas movie? Of course. Is Eyes Wide Shut not only a Christmas movie...
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC CenterFilms by John Woo, Tsui Hark, and Ringo Lam screen in Hong Kong Cinema Classics; ...
Cinema Guild's release of Shinji Sōmai restorations stands among the great projects in modern cinema. Shortly after debuting Love Hotel, they'll be giving The ...
One of the great films about movie love, failed ambition, and personal destruction, Carlos Reichenbach's aptly titled Movie Dementia (or the more evocative Fil...
Note: This interview was originally published as part of our 2024 NYFF coverage. My Undesirable Friends: Part I – The Last Air in Moscow opens in theaters on A...
Whether it's a tough marketplace, debuting at a crowded festival, or the fairly established fact that most people don't want to see films pertaining to COVID (...
To know Dan Sallitt's cinema is to only wish for more. After 2019's Fourteen, his rough rate of one feature every seven years will hold in rather surprising, w...
