One year after his 80th birthday and with a new lease on life, Peter Greenaway's begun shooting his first feature since 2015's Eisenstein in Guanajuato with a ...
It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumThe new 4K Days of Heaven restoration is now playing (read our interview with Bro...
The lesser-known of Charlie Chaplin's canon might still place among the finest films ever made, and his greatest scholars and acolytes will tell you A Woman of...
The mark of an actor's career, I think, is what extent their filmography can reflect the time they're working. Matthew Modine is a prime case: we can point, fi...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterThe films of Kijū Yoshida are now playing in a massive retrospective....
It's less a question if Bertrand Bonello's The Beast is a major mark on 2023 and more an issue of whether or not I'll ever, even at a microscopic level, manage...
Rarely does a short generate interest like The Daughters of Fire, an ink-to-runtime ratio that could best be explained by its status as Pedro Costa's first pro...
Todd Haynes season is in full swing. As May December's (too-short) theatrical run winds into a perpetual Netflix future this Friday, New York's Museum of the M...
It's often the case that cinematographers are worth an interview no matter their film or director. Rodrigo Prieto, on the other hand, presents a larger canvas....
