Criterion's got murder on their mind. This May will bring a 4K release of Michael Powell's career-killing masterpiece Peeping Tom, supplemented by appearances ...
There's last will and testaments, and then there's Ryuichi Sakamoto | Opus, for which the musician and composer (for whom adjectives are sometimes adequate) en...
I only recently wrote a capsule for our most-anticipated-of-2024 feature where I acknowledge that, despite there being no true details on Olivier Assayas' Hors...
Marking an incredible escape from director jail, Alex Cox is ramping up his first feature in seven years (and perhaps the first well-financed project in 20-plu...
Update: Speaking at the Doha Film Institute's Qumra event in Qatar, Leos Carax confirmed It's Not Me runs a swift and slim 40-or-so minutes. Per Deadline, he e...
Some apotheosis of film culture has been reached with Freddy Got Fingered's addition to the Criterion Channel. Three years after we interviewed Tom Green about...
Caleb Landry Jones hasn't been quite so present onscreen since the heyday-of-sorts that was Get Out, Twin Peaks, Three Billboards, and The Florida Project in o...
Probably you've noticed our enthusiasm over Bertrand Bonello's The Beast, a major evolution in genre and ambition for one of the world's greatest filmmakers. T...
A yearly highlight of New York (or American) programming, the Museum of the Moving Image's First Look will return on March 13 with an opening-night screening o...
