First word on Far from the Madding Crowd has been a bit muted (though we quite liked it), but the arrival of a new Thomas Vinterberg film should only be a g...
Even if you couldn't make it to any films they'd programmed, what's likely the best part of this year's Tribeca Film Festival has already been put online fo...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Sion Sono does not lack for ambition. Soon after Why Don't You Play In Hell? hit U.S. shores and months before Tokyo Tribe eventually comes our way, the dir...
What would typically be "just another Cannes opener" has been ladled with a bit of extra significance because the international film system is, in so many w...
The first peek at Takashi Miike's next feature, Yakuza Apocalypse: The Great War of the Underworld, was too brief to engender much excitement about any proj...
It's very easy to get lost in the Cannes lineup. Considering the flurry of the expected choices you're quite excited for, the disappointment of what didn't ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
"When you have a play, you can have a million different versions of that play, based on who you cast. Here I felt there were different versions of this story."...
