Has the M. Night Shyamalan comeback started kicking in? Between the ratings and reviews success of his Fox series Wayward Pines and strong buzz on Blumhouse...
As difficult as it is to cover everything that hits TIFF during any given year, but here are three strong-looking titles that have flown a bit under the rad...
Whether or not a Palme d'Or win is what finally pushed Jacques Audiard, perhaps France's most marketable filmmaker, into the realm of English-language filmm...
Since talking to Mia Hansen-Løve last October, we've known her follow-up to this year's Eden would be The Future, which emerged, in her own words, as "a scr...
Taking this year's great New York Film Festival lineup another step further is their just-announced "Spotlight on Documentary" selection, the majority of wh...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
The shameful box-office failure of Michael Mann's unique and thrilling Blackhat will not kill his career -- not if Christian Bale has anything to say about it. ...
Bong Joon-ho's work encompass so many ideas, mindsets, and moods that they seem to have been made by someone with a reserve of great passion and, most importantly, knowledge. ...
While watching The Mend, the debut feature from writer-director John Magary, I was often reminded of a favorite point from Roger Ebert’s review of Pulp Fiction....
