So's the power of Quentin Tarantino that an aborted project will carry more weight than most filmmakers' fussed-over opuses. Though it's been almost a year sin...
If Criterion24/7 hasn't completely colonized your attention every time you open the Channel––this is to say: if you're stronger than me––their May lineup may b...
I was lucky to see the new restoration of July Rhapsody, an oft-forgotten 2002 drama that represents a murderer's row of Hong Kong cinema: directed by Ann Hui ...
Death, taxes, and one-to-three Hong Sang-soo movies per year. I much prefer the latter, and it's nice knowing we're just a month out from In Our Day, his 30th ...
Cruise. Criterion. Just a matter of time, really, until the world's premier movie star made his way into the collection. Smart money might not have been on Pau...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchThe latest installment of my secret-screening series Am...
Is Aggro Dr1ft the future of cinema? Not in any quantifiable, justifiable sense. Does it have anything to say? I admire Harmony Korine using infrared images an...
There's little precedent for what George MacKay does in The Beast, a multilingual production that required the English star to learn French for extended sequen...
Léa Seydoux tells me "it may be nicer to have eye contact." Though I was informed our interview would be audio-only––no complaints; time with the most exciting...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives"Essential Cinema" brings films by Mekas' Walden and Journey to Lith...
