Although John Carpenter's primarily worked in (and forever defined) sci-fi and horror pictures, the man has long loved noir. (Never forget Harry Dean Stanton b...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOur House of Tolerance 35mm presentation returns Friday; prints of Night Tide an...
Cannes begins, against all reason, two weeks from today, and with it comes the trailer for this year's opening-night selection. (Arriving in French theaters th...
I was very gratified by the response to last year's interview with Rob Tregenza, a Zelig-like figure of modern cinema. Our very long, multi-Zoom conversation c...
However hard it is to expand the canon, legwork must always be done. In my own time I've seen the understanding of mid-century Japanese cinema expand, however ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOur House of Tolerance 35mm presentation has its final showing on Friday; a prin...
Though festivals and distributors were very excited to sell you a "final" film by Jean-Luc Godard, Fabrice Aragno made clear Phony Wars would not be the last t...
What a pleasure it is to see Kiyoshi Kurosawa in his Hong Sangsoo period. The typically prolific filmmaker is having an especially verdant 2024: his medium-len...
MUBI's May 2024 (streaming) lineup embraces their latest (theatrical) coup with a Radu Jude program. In addition to Do Not Expect Too Much From the End of the ...
Though Netflix ruined our hopes for another David Lynch movie––perhaps too much to ask from the people behind Zack Snyder's Rebel Moon — Part Two: The Scargive...
