You know the inciting incident because it is not quite like any in recorded human history, and you could stare at the foreboding, nigh-apocalyptic poster to no ...
It'd be one thing, a simpler thing, if Rebecca Zlotowski's Planetarium was a middle-of-the-road effort that's over and done with in less than two hours. Alas, i...
It was sort of inevitable that Paolo Sorrentino would come around to a film about his nation's former Prime Minister, Silvio Berlusconi. A man whose work is...
Even as one who loves his work and the traffic it brings this site, I can readily admit that we probably have just about enough in the way of David Lynch-re...
I have seen Kiyoshi Kurosawa's Daguerrotype, and the most I'm currently allowed to say is this: no, I've not yet learned how to blind-type that title. (It's...
According to our coverage, this year's Cannes Film Festival was among the more fulfilling in recent memory, which might explain why a (reportedly) solid eff...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
By Jove, here's a real find: in the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the ...
Bertrand Bonello has been directing features for almost 20 years and has yet to make a clear breakthrough with the U.S. art-house scene. When I say his last...
Spiritual sequels are Richard Linklater's new forte, it seems. Following 2016 favorite Everybody Wants Some!!, the writer-director is focusing his attention...
