Right before production kicks off, Martin McDonagh's highly anticipated Three Billboards Outside Ebbing, Missouri has improved a remarkably impressive ensem...
It's been almost a year since the premiere of Jeremy Saulnier's Blue Ruin follow-up Green Room, so consider it a testament to some sort of power that people...
Michelangelo Antonioni made several great films without Monica Vitti, yet the sense of harmony driving their collaboration can be so powerful as to make one...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
If Clouds of Sils Maria didn't completely satisfy your desire for a movie where Juliette Binoche is secluded with another woman in a beautiful European loca...
Writer-director Lucile Hadzihalilovic (who directed Marion Cotillard in Innocence and worked with Gaspar Noé on Enter the Void) returned this fall with her ...
It's no secret that Lars von Trier's struggles with depression are a central tenet of his work, and this connection between corrosion and creation was never...
Having recently seen it, I feel confident saying few documentaries transport viewers into New York's past as effectively as Los Sures, a brief and efficient...
Asghar Farhadi's films don't strike me as having much of a cinematic precedent, which is not at all to suggest they aren't "cinematic." Consider, rather, the fa...
Unless we're talking about his new film or late-70s court documents, nowadays is Polanski hardly named more often than when critics discuss The Ones Below, ...
