Only three years ago, Danish director Gustav Möller made The Guilty, a single-room thriller focused on an operator attempting to save a kidnapped woman. Met wi...
Josef Kubota Wladyka’s second feature, Catch the Fair One, follows a boxer, Kaylee (real-life boxing champion Kali Reis), trying to find and save her sister fr...
With his first documentary Minding the Gap, Bing Liu turned the lens on himself and his friends to examine the domestic violence around them. One of the more h...
Alexandre Rockwell’s Sweet Thing could be pulled from any era. Shot in striking 16mm black-and-white, the coming-of-age film—Rockwell’s first feature since 201...
Jim Cummings has become something of an indie film wunderkind, making low-budget, critically-acclaimed projects that hit festivals and reach the depths of Film...
Adam Leon’s third feature, Italian Studies, follows Vanessa Kirby as Alina Reynolds, a woman who at times doesn’t know her own name. Call it amnesia or memory ...
Mark, Mary & Some Other People represents a leap for Hannah Marks, the 28-year-old director premiering her first solo directorial narrative feature at the ...
Nearly 16 months after it premiered at the Sundance Film Festival, Robert Machoian’s The Killing of Two Lovers, picked up by NEON, has arrived. Machoian, who g...
French filmmaker Alexandre Aja’s newest film, Oxygen, finds Mélanie Laurent trapped inside a cryogenic chamber with a little less than 90 minutes of air left i...
Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
