January 2025 could mark a bleak month for very specific reasons, but in that month one can watch a nicely curated collection of David Bowie's best performances...
More than undergirding one of 2024's biggest films––speaking for size, scale, length, awards prestige, print weight––Daniel Blumberg's The Brutalist soundtrack...
No matter the changes and upheavals from recent years, Cahiers du cinéma’s status as cinematic north pole has waned little––evidenced by annual top 10 lists co...
Pamela Anderson receives the role of a lifetime in Gia Coppola's new feature The Last Showgirl, playing a glamorous showgirl who must plan for her future when ...
Seven years since You Were Never Really Here debuted at Cannes and with many false starts in-between, Lynne Ramsay is finally set to return. The Martin Scorses...
Just one year after his documentary Silver Dollar Road, director Raoul Peck (I Am Not Your Negro, Exterminate All the Brutes) returned to the fall festival cir...
The rise of Lance Oppenheim continues unabated: within 12 months of Spermworld and Ren Faire comes the news he'll be directing Primetime, a feature backed by A...
It's October, which means Criterion's already thinking about 2025. Their new year auspiciously starts with a 4K UHD release of Jean Eustache's magnum opus The ...
Returning to Cannes Film Festival with her first narrative feature in eight years, Andrea Arnold's coming-of-age fable Bird brought together Barry Keoghan, Fra...
One of the most acclaimed films of the year, Payal Kapadia's dazzling Cannes Film Festival Grand Prize winner All We Imagine as Light is now finally rolling ou...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
