Following The Film Stage's collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Musi...
Whether shooting in the enspirited jungles of his native Thailand or the mystical rainforests of Colombia, Apichatpong Weerasethakul has a sleeping problem. Hi...
Training Day, Iron Man, The Master, Munich, Ford v Ferrari, The Bling Ring, Nightcrawler, Ray, Birds of Prey, You Don’t Mess with the Zohan, Syriana, The Conju...
“Best Oral three years in a row,” Mikey Saber brags yet again to a disinterested stranger. As if the thirtysomething, out-of-work porn star’s unprompted self-a...
For better or worse, you will hear about Red Rocket. From who? It’s a coin toss between a raving cinephile and a sanctimonious pop culture prognosticator behin...
With her sophomore feature, French writer, director, and provocateur Julia Ducournau has secured her place in film history and proven herself a serious talent....
There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...
In 1991, Oliver Stone re-opened America’s deepest wound with JFK, a rousing, star-studded, 189-minute account of New Orleans District Attorney Jim Garrison’s i...
Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...
If you told people in 1967 that Andy Warhol’s house band just released one of the most revered rock albums of all-time, they would ask what they're called, and...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
