New approaches to cinema are few and far between––as rare as a ticket to the lone Killers of the Flower Moon press screening at the 76th Cannes Film Festival––...
Bobby Farelly’s been out of the feature game for almost ten years. After a lucrative 20-year career writing, directing, and producing together, brothers Bobby ...
Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It w...
On tour across high-profile fall festivals since its premiere at Venice in early September, Luca Guadagnino’s teen cannibal romance Bones and All lands in thea...
In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...
Back in May, Moonage Daydream – the hypnotic, experimental documentary abstraction that encapsulates David Bowie’s life, art, and philosophy – blew the top off...
Frenchman Florian Zeller began as a novelist in his early twenties, quickly moved into a bright career as a playwright and theater director, and now finds hims...
“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...
Where better to set a paradisal experimental housing development than Palm Springs? The sun is always shining and the empty desert expands as far as the eye ca...
The last narrative feature Luca Guadagnino directed was a 2018 remake of Suspiria, and his angle was vicious—a dark, mangled body horror so carnal it leaves th...
Luke Hicks is a New York City filmmaker, film journalist, and musician by way of Austin, TX. He earned his Master’s studying film philosophy, theology, and ethics at Duke University and is the founder of the Brooklyn-based Art Mob Productions.
