Kelly O'Sullivan and Alex Thompson's deeply moving drama Ghostlight made a splash last year following its Sundance Film Festival premiere and subsequent summer...
After a major 2024 with the wider release of his blistering satire Do Not Expect Too Much from the End of the World (which nabbed a spot in our top 10) and the...
Canonized two years ago as the greatest film of all time, topping Sight and Sound's once-every-decade poll, Chantal Akerman’s Jeanne Dielman, 23 quai du Commer...
At long last, six years after Peterloo, the legendary Mike Leigh is back with one of the very best films of the year. Hard Truths––which we named one of our to...
We're delighted to exclusively announce Altered Innocence has picked up all U.S. rights to Vladimir Perišić's feature film Lost Country, which was the winner o...
As AI continues to pervade every industry, there are also wide-ranging personal implications that society only seems to be currently scratching the surface of....
As Terrence Malick and company now enter the sixth year of editing on his Biblical epic The Way of the Wind, 2025 may now finally be time it sees the light of ...
With a sprawling 215 minutes and VistaVision footage, not to mention a variety of other formats––including 8mm, 16mm, Super 16mm, 35mm (two-perf, three–perf, f...
After working on the Sundance Film Festival selection Gaza, director Garry Keane teamed with Stephen Gerard Kelly to turn their eye to another troubled place i...
It’s that time of year again. While some directors annually share their favorite films of the year, Steven Soderbergh lists everything he consumed, m...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
