Last week, Ari Aster’s Hereditary became A24's highest-grossing film, earning over $77 at the global box-office, besting Lady Bird and Moonlight. Even befor...
2017 marked a banner year for unfathomably prolific South Korean director Hong Sangsoo, who debuted a trio of his greatest films all in the first half of th...
Before the memeification of Werner Herzog, the director was better known for reaching the deepest corners of the world, profiling people and places that mig...
One of the most striking features I've seen this year is Bertrand Mandico's debut feature The Wild Boys, which premiered at last year's Venice Film Festival...
"I think there is blame on both sides. You look at, you look at both sides. I think there’s blame on both sides, and I have no doubt about it, and you don't...
In 2015, when the Cannes Film Festival lineup was announced, one of the unknown elements of the competition slate was first-time director László Nemes, who ...
The best film we saw at the Berlin Film Festival this year was John McEnroe: In the Realm of Perfection. The title may suggest your typical sports documenta...
On the heels of yesterday's TIFF lineup announcement, the Venice Film Festival has announced their 2018 lineup and it's a doozy. We'll start with the films ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
