A tiny miracle of a movie, Ari Gold’s deeply personal Brother Verses Brother is a whimsical musical à la John Carney’s Once, taking place on city streets, ...
Note: This review was originally published as part of our 2024 SXSW coverage. Bob Trevino Likes It opens in theaters on March 21 from Roadside Attractions.
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Like the Church potluck to which Amziah King introduces his one-time foster daughter Kateri, The Rivals of Amziah King is a gleeful mashup of genres and t...
Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs' previous J...
Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
Following The Film Stage's collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
No m...
Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...
Mike Ott’s McVeigh is an immersive, chilling, meticulously paced portrait of Timothy McVeigh, played by Alfie Allen, who embodies the bleak, quiet rage of the ...
If you were there, you remember. 2018 was the summer of MoviePass, a glorious period in cinema history where millions said "why not” and took a chance to see n...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
