If ever a horror film begged for multiple viewings, Here Comes the Devil (Ahí va el diablo) makes a good case. In fact, until a little over halfway through I wa...
Making a film about a tragedy like the 2004 Indian Ocean tsunami should never be taken lightly. With over 230,000 people dead in fourteen countries, the entire ...
While at the Toronto International Film Festival I had the pleasure of sitting down for a chat with Palestinian-born writer/director Annemarie Jacir about h...
Five years after his last foray behind the camera, writer/director Brian De Palma looks to take some of the alternative devices used to film Redacted and combin...
In Robert Redford and Lem Dobbs' adaptation of Neil Gordon's novel The Company You Keep, the personal futures fought for by the militant Weather Underground dur...
I know it's misguided, but my interest in David O. Russell films kind of ended after The Fighter. This was a guy who used to pave his own path with challenging ...
When opening credits begin with 'an Eli Roth film', you should know what to expect. While not quite his creatively—it's directed by Nicolás López—the torture po...
When the cellist of a world-renowned string quartet discovers early onset Parkinson's is taking away the dexterity needed to continue playing, the will of the e...
Adapted from the 2008 novel by Margaret Mazzantini of the same name, Twice Born (Venuto al mondo) isn't quite what it seems. When an aged Italian woman named Ge...
It may be weird to think, but there's no better medium than film to transport an audience into the world of the blind. A character in Andrzej Jakimowski's Imagi...
