Wei Shujun's detective noir Only the River Flows (based on a story of the same name by Chinese author Yu Hua) is set in a small town along a river in China's J...
If anything could revive the worn-out nepotism discourse, it would be this summer's horror offerings. In August we have M. Night Shyamalan's upcoming thriller,...
If you're quirk-averse, you might be immediately put off by a cursory description of Daina Oniunas-Pusić's debut feature, Tuesday, in which Julia Louis-Dreyfus...
Isabelle Huppert is one of cinema's most fearless and compelling performers: she can be both powerfully raw and impenetrably composed at once. It is even more ...
When the trailer for Gene Stupnitksy's No Hard Feelings made the rounds online, it felt like a mild event. Not only for a return to big theatrical releases for...
The narrative action of Mathieu Amalric’s latest directorial feature, Hold Me Tight, adapted from a play which was never staged, takes place in a kind of suspe...
After Antonio (Justin Chon) is wrongfully arrested in front of his wife Kathy (Alicia Vikander) and step-daughter Jessie (Sydney Kowalske), he’s surprised to l...
Old, the latest thriller from horror auteur M. Night Shyamalan, follows a family vacationing at a luxurious tropical resort. The parents (Gael García Bernal an...
It’s been over four years, and what feels like a lifetime of online debate, since the release of Wonder Woman, a female-led superhero film that was praised as ...
It’s true of most Disney films that the villain is the most memorable character, and often—like with Ursula in The Little Mermaid—the most beautifully drawn, a...
Gabrielle Marceau is a writer and editor based in Toronto. Her work has appeared in Cinema Scope, Reverse Shot, Leste Magazine, and Mubi Notebook. She is the editor of www.moodmoviematch.com.
