Forrest Cardamenis

[Review] Pit Stop

Pit Stop, an ambitious undertaking about two gay men, their current relationships, and the flings that eventually lead them to one another, never becomes the gr...

[Review] Closed Curtain

A movie that attempts something new or controversial is often instead deemed “risky," but that term does not even begin to describe Closed Curtain, which also c...

[Review] Computer Chess

It was over 10 years ago that Andrew Bujalski released his debut film, Funny Ha Ha, and since then, the resulting “mumblecore” explosion is perhaps the most rec...

[Tribeca Review] The Pretty One

Although only coined in the last decade, the "Manic Pixie Dream Girl" archetype can be traced back to screwball comedies and has been spoofed as early as Annie ...

[Review] Ginger & Rosa

Director Sally Potter has carved out an intriguing niche in the filmmaking world. Her previous feature, Rage, premiered on mobile phones and her breakthrough Or...

[Review] Beyond the Hills

It took Cristian Mungiu over five years to release a feature-length follow-up to his Palme d’Or winning masterpiece, 4 Months, 3 Weeks, and 2 Days. That film, a...

[Review] Leviathan

To say that Leviathan is not for everyone is to, put it simply, too simple. Even those who hear that something “isn’t for everyone” and take it as a challenge t...

[Review] On the Road

“Boys and girls in America have such a sad time together.” That line is left out of Walter Salles' adaptation of Jack Kerouac’s On The Road, but it permeates ev...

[Review] Hitchcock

Hitchcock the man, Hitchcock the artist -- today, they are almost inseparable. Alfred Hitchcock, “The Master of Suspense,” is widely considered one of the great...

Forrest Cardamenis