Dan Mecca

[Sundance Review] The Words

The Words, written and directed by Lee Sternthal and Brian Klugman, is an unabashed piece of romantic cinema. It's central romance? The written word; the idea t...

[Sundance Review] Save The Date

People have been talking in movies since the beginning. Since the late 1920s, audiences have been able to hear them talk. Since Preston Sturges' films, they've ...

[Sundance Review] Smashed

Smashed, a film about the effects of alcoholism, is a relic in many ways. Alcoholism in movies does not generally hold the same weight as other films about addi...

[Sundance Review] Red Hook Summer

Spike Lee is an honest original, warts and all. Over the last two-and-a half decades he's made the films he's wanted to make the way he's wanted to make then. A...

[Sundance Review] Arbitrage

Just when it seemed the man was settling into the fade out so many once-movie stars face, Richard Gere reminds us why he became a star in the first place. Plain...

[Sundance Review] Liberal Arts

Josh Radnor, star of the hit sit-com "How I Met Your Mother," made a big splash at Sundance two years ago with his directorial debut, Happythankyoumoreplease, e...
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[Sundance Review] Red Lights

Marking yet another interesting entry in the career of Cillian Murphy, an ambitious performer always tackling new genres and new characters, is Red Lights from ...

Dan Mecca

Managing Editor

Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.