Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made...
The Call of the Wild plays like the kind of live-action movie Disney released in the '60s and '70s (Swiss Family Robinson, The Castaway Cowboy), then in the '8...
Save Yourselves! offers a slice of small sci-fi in a comedy world, attempting to mesh social commentary with general irreverence. Unfortunately, the laughs fad...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made...
There is a wonderful idea that fuels Wander Darkly, written and directed by Tara Miele. How do we reckon with tragedy? What goes on in our head while we proces...
It’s the morning after the premiere of Tesla, the new film from Michael Almereyda starring his frequent collaborator Ethan Hawke as the titular inventor. I’m s...
There is a scene in the middle of The Last Shift in which our two main characters–Stanley (Richard Jenkins) and Jevon (Shane Paul McGhie)–get into an argument ...
When it comes to Natalie Wood: What Remains Behind, what you see is what you get. Zipping by at a manageable 100 minutes, established producer and documentaria...
Has there been a great feature made about the opioid crisis in America? Director Braden King is determined to answer the question "yes" with The Evening Hour, ...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
