There are types all over Rodrigo García’s Raymond & Ray. There’s Raymond (Ewan McGregor), the more stuck-up type who only wears business-casual. There’s Ra...
Horror movies, like documentaries, have a knack for rolling the cameras whenever tragedy strikes. It didn’t come as much of a surprise when, mere months after ...
Any movie about the value of movies should be met with a healthy level of skepticism. There’s the obvious amount of self-satisfaction involved (maybe it’s just...
It comes as no surprise to see a film like The Menu come out of a major studio like Searchlight Pictures. Populism has been around for a good while, but it’s h...
On paper, Sebastián Lelio’s The Wonder sounds like a prime contender for awards season. It’s a period piece set in 19th-century Ireland, adapted from a book by...
It comes as a bit of a surprise to see how jarring Jennifer Lawrence’s presence is in Causeway, her new film directed by first-time filmmaker Lila Neugebauer. ...
With Women Talking, Sarah Polley adapts Miriam Toews’ 2018 novel in a way that feels like a response to the last several years. The book, which concerns women ...
The Toronto International Film Festival, like most other festivals this year, returns with a post-pandemic mindset: a primarily in-person event with an overall...
Following The Film Stage's collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It g...
The Narcissus myth, where a man falls in love with his own reflection and ultimately destroys himself over it, has only grown more relevant with time. The domi...
