[SXSW Review] We Are Still Here
Throwback horror film We Are Still Here never loses a sense of quiet fun running underneath it. Clearly a loving send-up to films of the past, writer-director T...
Bill Graham
[SXSW Review] The Final Girls
Horror comedy has long been one of the most difficult genres mixes to pull off successfully. For The Final Girls, a high-concept meta riff on the slasher horror...
[SXSW Review] One & Two
Low budgets don’t have to constrain a film, and a great example is the serene One & Two, which uses a small amount of locations and characters to bolster th...
Maika Monroe Talks ‘It Follows,’ Wes Anderson Admiration, Professional Kiteboarding, and More
"It’s weird watching it for the first time because it’s very different from when I pictured it."...
[SXSW Review] Spy
You never knew you wanted an R-rated comedic take on the action spy genre until halfway through Spy and you're caught wondering why it has never been done quite...
[SXSW Review] Trainwreck
To be upfront, the version of Trainwreck I saw at SXSW was, like Neighbors and Bridesmaids in previous years, a work-in-progress. It hasn’t been locked and smal...
[SXSW Review] Ex Machina
Ex Machina doesn’t want to simply be another movie in the large pantheon of science-fiction cinema, but instead builds on what has come before and distills it i...
‘It Follows’ Director David Robert Mitchell on Adolescence, Timelessness, and Test Screenings
"I was very scared going into our first screening in Cannes."...
‘Faults’ Director and Cast Talk SXSW Response, Making the Black List, Production Design and More
The thoroughly unsettling Faults, in theater this weekend, knows how to push the audience's buttons in the right order to get the most out of a small budget...
Bill Graham’s Top 10 Films of 2014
Top 10 lists from critics groups usually have a tendency to eliminate oddities and mellow out the field. But when you have personal selections, like many of m...
