Ask and you shall receive. A couple weeks ago I had some flash of memory about Crackpot, the new Elaine May feature––her first since Ishtar, released during Ro...
“If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is no...
Emerging on the international cinema scene with a trio of tender yet emotionally exacting features in Violet, Hellhole, and Ghost Tropic, Belgian director Bas ...
While the Animorphs franchise may not be what it was in its late 1990s heyday, French director Thomas Cailley has your fix with his new thriller The Animal Kin...
Following up her Best Picture-nominated Past Lives, Celine Song has officially unveiled her next feature. Starring Dakota Johnson, Chris Evans, and Pedro Pasca...
A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and c...
This was a well-kept secret. Two years since his passing we've learned of Peter Bogdanoivch's podcasting project One Handshake Away, which saw the late-in-life...
So's begun the march to 2024's first major film. Just a week since Janus and Sideshow announced Bertrand Bonello's The Beast will begin its U.S. run on April 5...
One of the most purely entertaining viewing experiences at Sundance Film Festival this year was Rose Glass' Love Lies Bleeding, which is quite a level up in te...
It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-somethi...
