While it's an understandably strange time to review a film, it feels refreshing to review a nice film. The High Note, directed by Nisha Ganatra, tells the stor...
In Shane Carruth’s 2004 debut feature Primer, two colleagues go down a physics rabbit hole to build a time machine. In the early stages of masterminding this s...
In a time when we can't head down to our local dive bar, a new form-bending documentary has gained new resonance. The Ross Brothers' Bloody Nose, Empty Pockets...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Welcome back to Intermission, a spin-off podcast from The Film Stage Show. In a time when arthouse theaters are hurting more than ever and there are a plethora...
The last few weeks have been full of speculation if Warner Bros. would be moving full steam ahead with the marketing and release of Christopher Nolan's Tenet, ...
In a sea of online streaming services, MUBI’s stake in the field has been its carousel of films. 30 movies are available on any given day, all of which are par...
Everybody getting AIDS! Pronouncing it as “Versayce!” Gina Gershon’s eyebrows! The way Elizabeth Berkley eats a hamburger!
It goes without saying that Paul ...
Chechnya has been a hotbed of human rights violations as part of the Russian Federation, in particular the myriad LGBTQ rights violations that have been report...
From Hereditary to The Babadook to The Witch to Get Out to A Girl Walks Home Alone at Night to The Blair Witch Project, Sundance has been the birthplace for a ...
