There is a moment of surreal wonder near the start of Concrete Cowboy, the TIFF premiere co-starring Idris Elba, that is never equaled again, a sequence of une...
It takes great maturity and confidence to make a film about the emergence of a young woman’s sexuality that also dares to ask complex, provocative questions wh...
With Lovers Rock, the first part of Steve McQueen's forthcoming anthology Small Axe, having premiered at the 58th New York Film Festival, many have wondered ho...
Like every industry built under the watchful eye of a global patriarchy, the EDM scene is grossly tilted in favor of its male artists. And like many of those s...
If you find yourself needing to latch onto an obscure scientific theory to reinvigorate your energy level and live your life as more than a sleepwalking zombie...
Few places on Earth have been mythologized as much as New York City. The very mention of its name can instantly summon images (King Kong atop the Empire State ...
An opening shot of Frederick Wiseman’s National Gallery shows a man polishing the floor of a room walled with masterpieces. Recently writing about the moment f...
An appropriately buoyant opening-night choice for this year’s New York Film Festival, Lovers Rock chronicles an underground London blues party, a space where B...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Is it cynical or bitter? That’s a hill I find myself dying on on a regular basis, so it only makes sense for The Devil All the Time to add to the pile. Written...
