Bouncing between Hollywood projects and films in his native country of Denmark, Mads Mikkelsen continues to carve out an impressive career. Following his retea...
Far before the pandemic arrived, rumblings of a new David Lynch project hit the internet. After the gargantuan artistic achievement of Twin Peaks: The Return, ...
At just 80 minutes excluding credits, The Wolf of Snow Hollow has a pretty good amount of things on its mind. Not the wolf itself, though; that’s more of a Mac...
Both regulars at Sundance Film Festival, Aubrey Plaza and Christopher Abbott returned earlier this year with Black Bear, a new relationship dramedy set in a re...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Michael Snydel and Bill Graham are joined by Abby Olcese to discuss Kirsten Johnson'...
After collaborating for one of Tom Hanks' finest performances in Captain Phillips, director Paul Greengrass has reunited with the actor and is changing up his ...
Recruiting
into the drug trade isn't difficult when impoverished youth from broken homes
are desperate to find purpose and escape. With school and family often...
Red, White and Blue, the third and weakest film from Steve McQueen’s Small Axe anthology series to premiere at this year’s NYFF, suffers because of its program...
In reimagining one’s history, you suspect your role in the proceedings. If you’re American, you put yourself in the heart of the battle, at the Constitutional ...
There's a scene in Mike Nichols' The Birdcage where Robin Williams' character is helping Nathan Lane's character be more "manly." He has him mimicking differen...
