Martin Scorsese gave ILM special effects supervisor Pablo Helman the script for The Irishman in 2015 on the set of Silence, and he was hooked. It took the visu...
Angela Schanelec’s films make extensive use of ellipses, and narratives often branch out to new characters without warning, but far from being challenging or c...
“If you’re not picky, you can eat them on anything.” So says one of the elite group of experienced, elder Italian truffle hunters portrayed in Michael Dweck an...
Playwright Radha Blank’s spirited directorial debut The 40-Year-Old Version in an often hilarious and heartfelt autobiographical tale of reinvention. Surrounde...
After wrapping up our Sundance Film Festival coverage, it's time to look towards the month in movies. While Berlinale will kick off in a few weeks and Oscar se...
What started last October as a students’ protest regarding the rise in public transportation rates in Santiago de Chile has now blown up into a nationwide soci...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Josh Cabrita to discuss th...
After the quick succession of A Bigger Splash, Call Me by Your Name, and Suspiria, Luca Guadagnino is taking a bit of a breather before he sets his next featur...
With over 60 films viewed at the 2020 Sundance Film Festival, it's time to wrap up the first major cinema event of the year. We already got the official jury a...
It’s the morning after the premiere of Tesla, the new film from Michael Almereyda starring his frequent collaborator Ethan Hawke as the titular inventor. I’m s...
