Director: Gorō Miyazaki
Runtime: 91 minutes
The Japanese animation studio, Studio Ghibli (behind such Oscar winners as Spirited Away and My Neighbor Totoro), is known for its whimsical characters and complex themes, such as the relationship between humans and death, which both adults and children can glean from. Adapted from a manga written by Tetsuo Sayama and Chizuru Takahashi, From Up on Poppy Hill strays from the characteristics of their productions by losing the unconventional settings and characters in this melodrama. This is a story of the preservation of Japanese history and human relationships. Gorō Miyazaki, son of Hayao Miyazaki, the screenwriter of From Up on Poppy Hill and co-founder of Studio Ghibli, directed this film.
Umi (Masami Nagasawa) is a high school girl who is spirited and headstrong. She raises signal flags to honor her father, a captain, who died in the Korean War. She lives at a lodging house with her sister and a few other women, and she waits for her mother to come back from America. She meets Shun (Junichi Okada), a popular student, at a spontaneous student rally opposing the demolition of the clubhouse, an old, dirty building that holds several clubs and organizations such as the Latin Quarter, the school newspaper. Shun is passionate about the newspaper and the protection of the building. Umi and Shun take charge to clean up the clubhouse and appease the head of the school. They begin to have stronger feelings for each other, but their parents’ curious past interferes with their love. They suggest breaking a certain taboo, which may throw the audience off.
This film takes place just before the Tokyo Summer Olympics of 1964, a period of revitalization and change. The goal was to alter the world’s attitude of Japan since World War II. Old buildings are demolished to make way for the new and the spectacular. The Clubhouse in the film is a magnificent building that holds several niches of different interests. To Shun and to the supporters of the building, this clubhouse signifies the memory of Japan. Shun and Umi believes their connection to the past and family is ambiguous, and desire a concrete answer to their identities.
Studio Ghibli has a clean record of creating beautiful animations. The delicate scenes of landscapes and backgrounds from From Up on Poppy Hill are lovely. Although it does not have the wow-factor such as other Studio Ghibli’s films of fantasy and magic, From Up On Poppy Hill is a thoughtful and reserved film with steady pacing.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute