
Three members of The Film Stage attended the very first screening of Dito Montiel’s third feature The Son of No One. The press & industry screening took place on Monday, January 24th, at noon at the Yarrow Hotel Theater. Later that day THR published a story stating reps from Samuel Goldwyn, Paramount, Summit, the Weinstein Co., Sony Pictures Worldwide Acquisitions Group, IFC Films, Morgan Creek, Screen Media, Miramax and Relativity were all at the screening. They described, from a source, that there was an “exodus” of walkouts.
Then, Deadline followed up with Cassian Elwes, who’s selling distribution rights for the film. He said the following:
“About a month ago, Dito decided to add a card, two scenes before the end of the film, that says, ‘Based on the book, Story of Milk.’ That is the character’s name in the film. Yesterday, the projectionist thought that meant the movie was over, and he turned the lights on. That’s when people got up. They thought movie had ended. Some left, but most stayed. This nasty little piece didn’t mention any of this. It’s not true that the movie is a bomb. We’re got three offers, but I feel some buyers pushing their own agenda with spin to bring the price down. Meanwhile, none of the reviews have come out. Before the press rushes to judgment, why not wait to see what real reviewers think, or at least get the story right?”
Both of these stories are untrue and after sites including The Playlist, Obsessed With Film, RumorFix, US Magazine, and others reporting, we aim to set the record straight. There was no “exodus” and the lights didn’t go up when Elwes stated. Up until the last 10 minutes of the film, it played out like a sub-par, often poor, cop drama. There were intermittent walkouts leading up to this moment, but no “exodus.” In what was to be believed the ‘final’ scene of the film, Montiel employed some odd (i.e. flabbergasting) editing choices which caused laughing, head-shaking, and groaning from a variety of audience members including myself. After the scene ended the title card came up “Based on the book: Story of Milk,” but no lights were raised. This slight confusion caused some audience members to gather their things and start to get up, but soon after we saw additional scenes wrapping up the plot. Many sat back down to finish the film, and this caused more groans since most already gathered their belongings to exit. Once those additional scenes ended, the lights came up and many exited as quickly as possible. With many needing to get to another screening, or do writing, this ended in a similar fashion, as with all press and industry screenings.
As for Elwes stating “none of the reviews came out,” we posted ours soon after the screening, which you can read here.
Gael Garcia Bernal Goes Iranian In Jon Stewart’s ‘Rosewater,’ Joins Mia Maestron for ‘Evita’
May 23, 2013 at 8:41 pm
Cannes: ‘Blue is the Warmest Color,’ ‘Blood Ties,’ and ‘A Touch of Sin’ Receive Distribution
May 23, 2013 at 4:21 pm
Amanda Seyfried Stays ‘Young’ For Noah Baumbach, Nick Nolte Returns ‘to Sender’ & ‘X-Men’ Adds Quicksilver
May 23, 2013 at 4:12 pm
‘Timecop’ Being Rebooted by Universal
May 23, 2013 at 1:19 pm
Trailer For ‘The Act of Killing,’ Produced By Werner Herzog and Errol Morris
May 23, 2013 at 3:31 pm
Chris Hemsworth Has the Will to Win In New Trailer For Ron Howard’s ‘Rush’
May 23, 2013 at 12:18 pm
Elijah Wood’s Slasher Remake ‘Maniac’ Receives U.S. Trailer
May 23, 2013 at 9:30 am
Confounding Teaser for Nimrod Antal’s ‘Metallica Through the Never,’ Starring Dane DeHaan
May 22, 2013 at 7:42 pm
One of the most highly anticipated films of the Cannes Film Festivals was unveiled this morning to a divisive response, Nicolas Winding Refn‘s Only God Forgives. As we said in our review, “set amidst an underground Muay Thai boxing club and glowing with hellish red lights from countless brothels, the mood and style is more [...]
With this year’s Cannes Film Festival halfway done, one of the clear highlights is Coens‘ 1960′s-set folk music tale Inside Llewyn Davis. Profiling a down on his luck musician (Oscar Isaac), whose natural talent indicates he is destined for success, the film is a vivid portrait of what it means to be a starving artist. In [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman and I review J.J. Abram‘s new entry in his flagship franchise, Star Trek Into Darkness. Before that, though, we run down our top 3 most-anticipated films of the Cannes Film Festival. Finally, we take a look at the [...]
© 2008-2011 The Film Stage. All rights reserved. | About | Privacy | Terms of Use | Advertising | Staff | Contact | RSS Feed
Follow us on: Twitter | Facebook
Latest posts from Beats Per Minute
