With an evocative opening-credits sequence as the camera swirls through a virtual landscape of neon signs and lights, one might think they are witnessing the b...
Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...
There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...
Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...
Ang Lee may be taking some time getting his next movie off the ground as his Bruce Lee biopic aims to finally start production this year, but first, one of his...
If, by and large, American cinema has taken a puritanical view on sex, leave it to our neighbors up north to craft a refreshingly frank, hilarious comedy o...
Moving a week later in the calendar this year, the Sundance Film Festival kicks off this Thursday and runs through February 2, offering a first glimpse at the ...
One of the potential breakout directorial debuts of Sundance Film Festival, which kicks off this week, is Mark Anthony Green's thriller Opus. Backed by A24, wh...
Our first glimpse at 2025 independent cinema has arrived with the unveiling of next month's Sundance Film Festival, taking place January 23–February 2, 2025, i...
