With her second feature film, Zambian-Welsh director Rungano Nyoni looks at the pain, memory, and absurdity of familial Zambian tradition. On Becoming a Guinea...
On September 22, 1975, Sara Jane Moore, a 45-year-old single mom, drove into downtown San Francisco, pushed her way to the front of a crowded barricade, reache...
“The world you’re about to see no longer exists. None of us knew what was about to happen.”
Writer-director Julia Loktev––whose 13-year hiatus from fi...
With Afternoons of Solitude, Catalan filmmaker Albert Serra returns to Spain for his first documentary: a bloodsoaked portrait of celebrity bullfighter Andrés ...
Five years, the closest presidential election in Brazilian history, and one insurrection after her last examination of Brazil’s tumultuous socio-political sphe...
Robert Minervini’s The Damned begins with two wolves tearing into a elk carcass, ripping off its fur and chewing its intestines. This isn’t a nature ...
Romanian filmmaker Andrei Ujică’s TWST / Things We Said Today exists in the world of Beatlemania. It uses archival footage from the lead-up to the Beatles conc...
Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project...
For a certain kind of cinephile (e.g. me) more than a decade's been spent wondering about Julia Loktev. The brilliant director behind Day Night Day Night and T...
The Ballad of Suzanne Césaire, the feature debut from artist and filmmaker Madeleine Hunt-Ehrlich, aims to foreground its primary literary material and histori...
