So-Young (Choi Seung-yoon) didn't want to leave South Korea. She had no choice. The father of her newborn son committed suicide and, as an orphan who was never...
Judging from the pre-release information surrounding Steven Spielberg’s The Fabelmans, it was clear the endeavor could attain the label of the master director’...
There was really only one way for Rian Johnson to proceed with Glass Onion: A Knives Out Mystery. The sequel to his 2019 whodunnit smash that introduced the es...
It didn't take long after watching Jub Clerc's Sweet As to see the comparison point my mind went to first (The Breakfast Club) was hardly an original thought. ...
New Zealand's Tūhoe people have faced more than a century of aggression for daring to keep their culture alive. As relayed at the start of Tearepa Kahi's thril...
It starts in the 1800s. That's when the first residential schools were opened across Canada as a means of "beating the Indian" out of Indigenous children. The ...
Director Basil Khalil and co-writer Daniel Ka-Chun Chan waste no time setting the tone for their Middle Eastern comedy A Gaza Weekend. Conceived over a decade ...
As our 2022 Venice Film Festival coverage wraps up, the juries have now unveiled their picks, most notably featuring Julianne Moore’s competition jury. Leading...
With Women Talking, Sarah Polley adapts Miriam Toews’ 2018 novel in a way that feels like a response to the last several years. The book, which concerns women ...
Emily, the directorial debut for Mansfield Park and A.I.: Artificial Intelligence star Frances O’Connor, is one of the more remarkably assured first efforts in...
