The Ballad of Suzanne Césaire, the feature debut from artist and filmmaker Madeleine Hunt-Ehrlich, aims to foreground its primary literary material and histori...
“Leave the light on. It’s easier for me to dream.”
The opening shot of Việt and Nam, writer-director Trương Minh Quý’s sophomore film, is a feat of cinemati...
After screening his latest film Caught by the Tides at the Busan International Film Festival, director Jia Zhang-ke met with the press, accompanied by his wife...
Nickel Boys, RaMell Ross' narrative feature debut, is the story of a stubborn world, resisting change. Adapted from Colson Whitehead's The Nickel Boys, it's an...
Independent filmmaking duo Scott McGehee and David Siegel's The Friend, their newest in a 30-year collaboration, is a dog movie. Or, more aptly, it’s a film ab...
When J. Hoberman placed game 6 of the 1986 World Series on his Village Voice year-end list, we had one of the first, most convincing attempts to enshrine live ...
The 37th Tokyo International Film Festival, taking place from October 28 to November 6, has announced a lineup opening with Shiraishi Kazuya's 11 Rebels and cl...
As exciting as it can be to see some of the most-anticipated films of the year at their festival debuts, it's perhaps even a more enticing proposition to seek ...
After exploring World War II with last year's more experimental documentary Occupied City, Steve McQueen returns to the subject matter on an epic canvas with t...
Huang Xi’s Daughter’s Daughter is, as the title suggests, a generational drama, but one that encompasses four generations of women rather than just two. In fac...
