Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question he can’t seem to answer: what do you care about? A Portuguese environmental eng...
As reminders that ignorance, bigotry, and hate can literally kill, stories about the AIDS epidemic will always be relevant. The latest, beautiful example arriv...
After releasing two films last year with Hit Man and the rather-overlooked God Save Texas: Hometown Prison, the ever-prolific Richard Linklater returns in 2025...
The queer coming-of-age experience is one of great vulnerability: a young person must grapple with the realization they’re becoming different from both past se...
“I'm going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to Tom Cruise's now-iconic superspy after their first of many impossible missions...
Frequent festival-goers learn not to expect much from opening films. Quality is but one of many factors that lead to the selection for this symbolic slot. In o...
It looks like Cannes was saving our most-anticipated premiere for last: it was just announced last week that Bi Gan’s sci-fi detective tale Resurrection has be...
It's the most exciting time of the year for a cinephile: the Cannes Film Festival is set to kick off next week, running May 13th-25th. Ahead of festivities we'...
Following last year’s overlooked Drive-Away Dolls, Ethan Coen and Tricia Cooke are back with another comedy, this time paying homage to the neo-noir. ...
